How To Marry A Millionaire (1953): Chasing love and wealth in CinemaScope

1953 • Jean Negulesco • 2.55:1 • Jump to Gallery

Directed by Jean Negulesco, How to Marry a Millionaire follows three women who share an apartment and are looking to marry wealthy husbands. Each of them has to navigate romantic encounters that challenge their initial objectives.

Designed as a showcase for Marilyn Monroe, Lauren Bacall and Betty Grable, it was one of the first films shot in CinemaScope, marking Hollywood’s transition to widescreen format in the 1950s. The use of lateral blocking rather than cutting was crucial to the film’s overall glamorous aesthetic, requiring richly furnished sets to accommodate all the characters on screen. The bright Technicolor palette, gorgeous furs and gowns in the costume design, and polished interiors serve the film’s visual appeal as much as they reinforce the themes of superficiality over honest emotions.

How to Marry a Millionaire is emblematic of the early experimentation with widescreen, focusing on spectacle through colour and composition rather than action. It illustrates how Hollywood adapted to new technologies by bringing visual arrangement, glamour and a star-studded ensemble cast to the heart of the expanded frame.

Technical Specs:

  • The Story: Three Manhattan models hatch a glamorous scheme to land wealthy husbands by leasing a luxury penthouse and posing as high-society women, only to find that love doesn’t always follow the money.
  • Actors: Marilyn Monroe, Betty Grable, Lauren Bacall, William Powell, David Wayne, Rory Calhoun, Cameron Mitchell, Fred Clark.
  • Director: Jean Negulesco
  • Year: 1953
  • Cinematographer: Joseph MacDonald
  • Origin: American Cinema
  • Aspect Ratio: 2.55:1
  • Genre: Romantic Comedy

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